The first history of the fanzines that emerged from Washington, DC's highly influential punk community
DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals—"fanzines"—that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world.
In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities.
For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.
Reviews
"Keep Your Ear to the Ground is the exhaustive history of DC punk zine and music culture I didn't know I needed so badly. This book proves to be an invaluable resource to set the record straight. Highly recommended for all DIY punk fans"—James Spooner, James Spooner, graphic novelist (The High Desert and Black Punk Now) and filmmaker (Afro-Punk)
"John R. Davis knows his stuff. This book will make you want to write a fanzine and maybe move to DC and never leave. It will also show you that DC punk's self-narrative tendencies predate Dischord and were inspiring from the off. A rare combination: scholarly feel and an exciting read."—Pete Dale, musician, scholar, and author of Anyone Can Do It: Tradition, Empowerment and the Punk Underground and Popular Music and the Politics of Novelty
About the Author
John R. Davis, former drummer of Q and Not U, is the curator of special collections in the University of Maryland's Michelle Smith Performing Arts Library. He co-curated the Visualizing Fugazi exhibit at the Lost Origins Gallery. His articles and commentary appear in the Washington Post, NPR, Notes, The Journal of Popular Culture, Punk, and Post-Punk.
