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Rhythms of Resistance and Resilience

How Black Washingtonians Used Music and Sports in the Fight for Equality

Maurice Jackson
Foreword by E. Ethelbert Miller

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The stories of the Black men and women who combated racial prejudice in Washington, DC, with sports and music

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress—for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life.

Rhythms of Resistance and Resilience tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr.

Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together.

Table of Contents

Reviews

"Dr. Maurice Jackson masterfully documents, weaves, and interprets history in this important book. By using sports and jazz to understand the nation's capital, Rhythms of Resistance and Resilience helps move America another step toward real equality."—Jesse Washington, coauthor of I Came as a Shadow, autobiography of Georgetown basketball coach John Thompson

"Through a masterful tale of sound and sport, Maurice Jackson goes deep to tell the story of a particular locale (his Washington, DC) whose history mirrors the transcendent spirit and often brutal unfolding of the Black experience in America. Professor Jackson's expositional skill flows with the nuance and detail that the best jazz musicians bring to their improvisations, imbued with the skill and agility of a great ball player. Detailing the emerging backbone of modern American culture, this inspiring chronicle maps the undercurrent of soul rippling just beneath the surface of blues choruses and home runs in one of our great metropolises."—Pat Metheny, Grammy Award–winning guitarist and composer, NEA Jazz Master

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Awards

About the Author

Maurice Jackson teaches Atlantic world and African American history at Georgetown University. He is author of Let This Voice Be Heard, and coeditor of African Americans and the Haitian Revolution and DC Jazz (Georgetown University Press, 2018). He was the inaugural chair of the Washington, DC, Commission on African American Affairs, appointed by the mayor.

Hardcover
248 pp., 6 x 9
26 color photos, 27 b&w photos
ISBN: 978-1-64712-521-9
Feb 2025

Paperback
248 pp., 6 x 9
26 color photos, 27 b&w photos
ISBN:
Feb 2025

Ebook
248 pp.
26 color photos, 27 b&w photos
ISBN: 978-1-64712-522-6
Feb 2025


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